Friday, February 24, 2012

On Censorship, Twitter, and a Capitalist World


            The issue of censorship is a difficult one to address, and even moreso when we realize that the question (should things be censored?) holds a very complex answer. Of course, these are all matters of opinion; a definite answer can never be reached. Popular opinions are what the “true” answer is based on, but I must argue that even if something is of a popular opinion, it is not necessarily true or right in any way. We’ve seen this before at various points in time: Columbus proved that the world is round, or at least made it apparent to the masses, leaders who have been voted in have been impeached due to their inability, etc. In the case of censorship, my opinion is similar to the Capitalist (or free market) economic system: the government (public) should have less power, while the individuals (private) can have more power.
            Censorship in media is already shaky, and I intend to shake its foundations more. Let us assume that something like, say, a snuff film is illegal. Our government has said that it is illegal to own, produce, or even view such material. I must argue that films like those in the Saw franchise, which depicts scenes such as a man being chained down and drowned in the sludge of ground-up pigs, are just as disturbing if not more disturbing than a film that depicts the actual death of a human being. The difference between the two is that we understand that those Saw films are fictional, while a snuff film is not. I, however, do not believe that the difference presented there is enough of a reason to have snuff films legally banned while the Saw films are shown in popular theaters worldwide.
            In comes Twitter, censoring the posts that users make on their website. Should it be the website’s decision whether or not to show that content or allow it to exist? Yes – it is the website’s decision. Should it be the government’s right to say what should and what should not be said on Twitter? No, I don’t believe it should. What is the difference here? Well, for one thing, no one is forcing you to go to Twitter; you are not born into Twitter, many refuse to use Twitter (like myself), and there are alternatives to Twitter. For another thing, Twitter is privately owned. It should be the Twitter staff’s choice whether or not to allow something on their website, as it is, frankly, their website.
            Some argue that a complete lack of censorship in all forms of media would lead to the corruption of the population. Yes, this is true! If child pornography were easily accessible, and people were seeing it on a daily basis, it would become more acceptable, which is corrupt (some might even say “evil”). That, however, is not the proposition I am making. I believe that the movie theater should be able to choose whether or not to show snuff films, just as theaters now don’t show every movie that comes out. Specialty theaters would exist for such things. The horrors of the world wouldn’t be forced into our lives, but made available. People could go their entire lives without ever seeing any of the now-banned material, without reading the now-banned books, etc. For those who wished to see or read it, however, it would be made available.
            In conclusion, the private decision to show content should be the only factor in censorship. Any government involvement is unnecessary. We live in a world where there are people interested in the things that are legally banned, and where there are people who couldn’t be less interested in those things. Ultimately, it should be the company’s choice to show it – and the viewer’s choice to watch. This, I think, is perfectly fair, and would end the issue of censorship forever.

Wednesday, February 15, 2012

Dante's Inferno Canto IV

This details the first layer, or circle, of Hell. It's mostly just namedropping people he sees there, most notably among them Homer. I'm not complaining, but nothing really seemed to happen here. Hopefully it picks up next Canto.

Monday, February 6, 2012

Dante's Inferno, Canto II and Canto III

There is not very much action in Canto II of Dante's Inferno. It seems unnecessary to me to include this in the piece, as all that is conveyed is Dante's hesitation. That's a given, in my opinion; who wouldn't have second thoughts about descending into Hell? After some chatter between him and his travel guide, we enter Canto III.

THROUGH ME THE WAY IS TO THE CITY OF WOE:
      THROUGH ME THE WAY INTO THE ETERNAL PAIN;
      THROUGH ME THE WAY AMONG THE LOST BELOW.
RIGHTEOUSNESS DID MY MAKER ON HIGH CONSTRAIN.
      ME DID DIVINE AUTHORITY APPEAR;
      ME SUPREME WISDOM AND PRIMAL LOVE SUSTAIN.
BEFORE I WAS, NO THINGS CREATED WERE
      SAVE THE ETERNAL, AND I ETERNAL ABIDE.
      RELINQUISH ALL HOPE, YE WHO ENTER HERE.

Canto III is very exciting, as you can see from the piece above. Dante enters Hell and encounters people going through a very painful and gruesome time. Some have swarms of wasps all over their faces, others are just screaming; it's not a fun time.
The most intense moment in Canto III is when Charon appears. Charon, one of my favorite figures in mythology, is the ferryman of the river Styx (in some myths he ferries other rivers), responsible for taking damned souls across the river and into Hell. He's an angry old demon who beats his passengers with an oar. His presence leaves an impression on the reader.

So far I'm enjoying Inferno. I've quickly gotten used to the style of writing. Hopefully it gets even more exciting in the later parts.